did you guys know about manga studios vector settings?
Because it does :D
I am still kinda new to it but it’s surprisingly easy to use (or at least if you have some previous experience with vectors).
This is what I’ve played around with so far:
you take your lineart like this:
(it doesn’t have to be red btw)
and then convert it to a vector layer with these settings:
And BAM! We got a vectorized lineart!
Here’s some stuff you can do with the vectors:
Select the Option tool and click on lines that turned out a bit uneven to fix them. just right click on any of the little anchor points to edit them.
Here’s a nice thing. If a corner or a point is too curved for your taste, just right click the anchor point and select “switch angle”.
And BOOP! the anchor point is now pointy!
Just hold shift to select several anchors at once! :D
You can change the thickness of the lines for the whole layer. I set the lines at 2px and disabled the pen pressure. Which in turn ended up like this:
There’s still more of this that I need to experiment with, especially the various results you get when changing the settings. And some settings works better for some areas. Detailed stuff such as hair can be tricky and probably best to keep on a separate layer.
Mess, sketch, and line-art for Recipes for the Dead: Steam Minted Meringue!
I feel like I’m drawing a lot of piles of roses lately, this is the third time I’ve invoked that particular space filler. I can’t help it though. They’re all curly and fun. And technically thematic to the issue!
i’ve needed this in my life since forever
Bedknobs and Broomsticks (1971) | character design - Milt Kahl
Centre of gravity.
If your character is just standing there, regardless as to what their posture is like, the centre of gravity should fall (as the name suggests) through the centre of their body!
On here I’ve shown the centre of gravity as a split between two colours to make it easier to see the mass on both sides.
In the middle there is a lil charmander running, and because he’s in motion there is more mass on one side - the direction he is heading in has more weight pushing him in that direction
and at the bottom, no matter how far forwards your character is leaning, the mass still needs to be equal so they dont fall over!!
Tuesday Tips - SHORTHANDS
It’s crucial to find ways to draw characters clearly and fast when storyboarding. Line mileage alone can become an impossible mountain to climb if you don’t simplify the way you draw characters. Leave all details aside and find the essence of a character. Shorthands are the gesture drawings of storyboarding. Specific characters have specific attributes that make them stand out. Sometimes it’s just the way they stand. Sometimes their hairstyle is unconventional. Find what’s key about a character and get rid of what’s common.
Model Sheet from Bambi by Marc Davis
Artsy references from the Animators desk in the Ghibli Museum, Mitaka.
Lil something for the wonderful and amazingly talented inkydonkey!
Her work is such a breath of fresh air, and constantly sparks inspiration every time I go back and look at it (which tends to be a lot). ^^
You’ve been such an inspiration of mines for a long time, and I finally wanted to get around to making you something when my art is finally somewhat ‘presentable’.
… Probably ‘eh’, but I think this one made for a decent outcome. :)
But seriously, thank you for sharing your work hun. It’s such a pleasure to see more stuff from you. Look forward to whatever else you may bring out, whenever you do! <3
This is not “eh” at all, and I absolutely loved this the moment I saw this in my tags. You drew them so so wonderfully, and thank you for finding me an inspiration- when, really, I adored your art as well. Thank you so much for both the picture and the comment you wrote under it, and I look forward to you continuing to draw and improve even more as you’ve already been doing.